Of all the films to become subject to a superfluous sequel, Zombieland is one to approach with about equal parts excitement and apprehension. Why mess with Read More

If Disney uses the Marvel movies as a gatekeeper of modern pop culture, I suppose the Maleficent franchise (since everything, apparently, must be a franchise) is Read More

Taika Waititi’s Jojo Rabbit may have been undermined by its own marketing campaign. The acclaimed comedy filmmaker (What We Do in the Shadows, Thor: Ragnarok) has Read More

Sort of a deadpan version of the Manic Pixie Dream Girl, the main character of Sunday Girl breaks up with five of her artisanally crafted hipster Read More

With Gemini Man, Ang Lee cements his place among A-list directors whose fixations on technological advancements have eclipsed their instincts for quality storytelling. Filmmakers like Robert Read More

The Addams Family reboots the satirically spooky family last seen in live-action form in the early 1990s. Although not as kooky as longtime fans of the Read More

It can only be viewed as some cruel cosmic swirl that in the immediate wake of Martin Scorsese’s dismissal of comic book movies as “not cinema,” Read More

The Judy Garland of Judy is not the fresh-faced child star of The Wizard of Oz, nor the larger-than-life performer who filled concert halls for decades. Read More

The third major animated movie about yetis in the past year, DreamWorks Animation’s Abominable is far less annoying than 2018’s Smallfoot (from Warner Animation Group) but not nearly Read More

Based on a true story that went viral in a deep and revealing 2015 New York Magazine article, Hustlers takes a very specific story of former strippers building Read More

The final shot of Alejandro Landes’ Monos encapsulates everything that the film could have been but isn’t. A group of military troops have just flown over Read More

It Chapter Two can’t decide whether it wants to chase after Stephen King or Steven Spielberg. Sure, to a certain extent those two media monoliths occasionally cross Read More

The title Human Capital sounds like it should accompany a heavily researched social-issue documentary about the way that people have been turned into commodities. But Marc Read More

It’s hard enough to capture contemporary life in a low-budget movie, so attempting authentic period detail with very limited resources is always a dicey prospect. Writer-director Read More

The Blumhouse logo at the opening of Jacob Aaron Estes’ Don’t Let Go promises the potential for some creative budget-conscious thrills, but Don’t Let Go is Read More

They say there is no movie without the screenplay, and that’s absolutely true…but of course a film is made up of more elements than just the Read More

To criticize the humor in Good Boys for being juvenile seems sort of redundant, since the whole point of the movie is to represent the perspective Read More

If you’ve ever read anything by Thomas Hardy, you’ll readily recognize the setting of William McGregor’s Gwen. Most of the film’s action takes place amid a Read More

There may not (yet) be a Bruce Springsteen jukebox musical on Broadway, but filmmaker Gurinder Chadha makes a pretty good case for one with her exuberant Read More

The name Luce is packed with polarizing implications. It means “light” in Italian, but it is also derived from a particular type of Pike fish that Read More